That Obama is self absorbed, shallow, and emotionally immature is not news to me.
by Kyle Smith
This was the week the word of the year collided in slapstick hilarity with the picture of the year. Selfie! It’s the concept of the year. Maybe — given its accompanying connotations of technology, media, instantaneous global transmission, carelessness, solipsism, frivolity, youth, inappropriateness and ironic juxtaposition — it’s the concept of our age.
Selfie was last month proclaimed word of the year by Oxford University Press (take that, “twerking”!), whose word-use metrics showed a 17,000% jump in usage since last year. Oxford defined the word as “a photograph that one has taken of oneself, typically one taken with a smartphone or webcam and uploaded to a social media website.”
Three weeks later, President Obama starred in what is now the most infamous selfie of all time, one taken by a pretty, party-faced blonde named Helle Thorning-Schmidt, who turned out to be the prime minister of a country experts have identified as “Denmark.” Flanking her in a photographer’s snapshot of her selfie were Obama and, to her right, in the Kevin James role as chubby-faced sidekick of this farce, the clueless UK Prime Minister David Cameron, the oaf who once left his 8-year-old daughter alone in a pub.
Let’s not understate the magnitude of Obama’s accomplishment. For this to become the Selfie of the Year of the Selfie took some doing. Let’s review the competition.
Less than a week earlier, on Dec. 4, The Post’s front page featured a snap of a woman who was taking a selfie arranged to include, over her left shoulder, a view of a desperate man who was apparently preparing to jump off the Brooklyn Bridge. (He was talked out of it). The woman taking the selfie was half-smiling.
Among the other selfies included in The Post’s essential selfie Hall of Fame were: a guy laughing and giving a thumbs-up with a crumpled car visible in the background (caption: “Other persons car accident selfie”) and a guy making a mock-horror face while photographing himself at Auschwitz. A Florida high-school student took a selfie that included his teacher going into labor in the background.
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Yet Obama’s selfie still managed to top them all. Why?
Candor. This is a president who is so fiercely protective of his image that dozens of media outlets, including The New York Times, Washington Post and ABC News, signed a letter of protest blasting the White House for barring news photographers while instead issuing its own carefully vetted press-release images. Usually when an image does escape the vault, it’s because it makes Obama look good. No, not good: Eminent. Heroic. World-historical. Suitable for framing, autographing or carving into a mountain. One such publicity portrait, often mistaken for a news photo, was a shot of Obama visiting the former Robben Island prison cell of . . . Nelson Mandela. Journalists were barred from the event lest they disseminate an image that didn’t fit the occasion — Obama yawning, or smiling, or checking the White Sox score. Catching Obama off-guard is tricky: His guards never take the day off.
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Sexiness. Who knew that frosty Denmark was led by the anti-Angela Merkel? Who knew Obama was friendly with this Jennifer Lawrence of statesmen? Who knew David Cameron just liked to watch? True, just because a married man takes a picture with a colleague who happens to be attractive and female doesn’t mean there’s a charge of flirtation in the air. And unlike some Democratic presidents, President Obama is by all accounts a devoted husband and family man, not a lecher. But if photos didn’t lie, what good would they be?
The woman wronged. It’s a photographic miracle when you can catch an event and a reaction in the very same frame. When that reaction fuels gossip, so much better. Michelle Obama’s Grumpy Cat features gave the picture an effect it would have lacked if she had been smiling or even looking neutral.
President Obama was a natural to star in the Selfie of the Year. He’s associated with youth; so are selfies. His campaigns leveraged the frenzy and reach of social media: Ditto the selfie. And since much of selfie culture depends on the ironic juxtaposition — the sublime and the ridiculous, the sacred and the profane, the individual and the group — the ultimate selfie would necessarily show the most powerful man on Earth looking like a dork.
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“Selfies at Funerals” is an online compendium of inappropriate portraiture, mostly of very young people on Facebook or Twitter being delightfully/maddeningly solipsistic and ridiculous in the face of mortality. “Love my hair today. Hate why I’m dressed up. #funeral,” wrote one girl. “Killin the selfie game at pop’s funeral,” declared a young man.
Obama’s selfie marched to the tune of a long-playing meme. All it lacked was a caption reading, “South Africa is mourning but Denmark’s P.M. is slammin!” or “Today Mandela is in heaven but at least we still have Helle on Earth!”
Part of what makes funeral selfies so jarring is that the preening subject of the portrait doesn’t realize he’s also the butt of the joke: The individual in the moment is hilariously heedless of the greater structure of society and tradition.
Can’t these young people and/or presidents realize that, even at a funeral, it isn’t all about them? Funerals are supposed to be the time when we put aside thinking about ourselves, our hair and whether we are or are not killin it with our gangsta style. At least for an hour or two, we’re supposed to direct our thoughts at the disappearance of others, and if we can’t do that we’re supposed to at least shut up and pretend, to be respectful — to maintain a Michelle Obama face.
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Yet the selfie seems very Obama because the president has put himself at the center of so many tableaux that weren’t supposed to be about him. After a thousands-strong national-security and military apparatus tracked and assassinated Osama bin Laden, with the president’s input more or less limited to saying, “Sounds great, go ahead,” he told us about it in a speech that recast the operation as something that sprang from his ingenuity and dedication, a postgame locker-room chat larded with “I”s and “me”s (“at my direction” and “I determined”).
Days before the funeral selfie, the White House tweeted out a Pearl Harbor remembrance that consisted of a photo of Obama laying a wreath. Six days before that he honored Rosa Parks by tweeting out a picture of himself sitting on the bus she desegregated. Nine days before that he honored the anniversary of JFK’s death with a tweet of himself looking at the fallen president’s White House portrait. Obama simply can’t allow history to have occurred without airbrushing himself into it: He’s President Gump.
Even as he struggles for footing on the American Olympus, though, he is oblivious of ordinary folk and even his peers. Far from slapping backs or twisting arms on Capitol Hill like LBJ or Lincoln, Obama seems offended by the idea that he isn’t the only one who gets to make decisions in Washington. He hates meeting with lawmakers (even those from his own party) and prefers to connect with the world by either giving speeches to faceless throngs of worshipers or complaining quietly in Valerie Jarrett’s ear.
“The problem is that I’m the president of the United States, I’m not the emperor of the United States,” he said last winter. “Mr. Obama,” The New York Times reported in 2011, “has told people that it would be so much easier to be the president of China.”
Obama is, despite all the “we” talk, as much of a loner as Al Gore or Richard Nixon, and yet he wishes he were even more alone still — “the emperor” in his palace who never has to come out and ask John Boehner’s permission for anything.
Those pictures of him in Rosa Parks’ seat, in front of the JFK picture — he’s all alone.
The White House publicity operation seems to think that showing the president by himself in a historical setting gives the president a holy halo of dramatic importance. In reality, these pictures merely emphasize his strange isolation — from the people, from his peers, from his own rhetoric.
The more he fails to shepherd, inspire and transform the nation, the more he retreats into empty symbolism, photo ops and unscripted frivolity. Obama’s is the Selfie Presidency.
Read the rest – Obama’s ‘selfie’ presidency – ‘it’s all about me
